Tuesday, August 15, 2017

"A Newspaper Crime Investigator and a Scotland Yard Detective Approach a Mystery from Different Points of View"

JIMMIE SILVERDALE, a crime-solving Fleet Street newspaper reporter, was evidently intended to be a series character, but we've been able to unearth only two works with him, one a short story (below) and a novel (see "Resources"). We don't doubt that there were probably others, but for the nonce this will have to do. The FictionMags short note about George Dilnot, Silverdale's creator, gives us confidence that, as far as the journalism background is concerned, it should be true to life: "Born in Hayling Island, Hampshire, England; died in Esher, Surrey; journalist, author, and editor of the famous trials series published by Bles. Brother of Frank Dilnot."

"Silverdale of Brain Street."
By George Dilnot (1888-1952).
First appearance: The Royal Magazine, August 1916.
Short story (10 pages, 4 illos).
Online at Hathi Trust (HERE).
(Note: Text is distorted [341, 342, 347] and cut down [345] in a few places, but legible enough.)

"In the unwritten table of values of Fleet Street, a mystery with a beautiful and rich woman as central figure is far beyond an exhaustive and possibly sordid explanation of crime."
Thanks to an anonymous tipster at Scotland Yard, ace crime reporter Jimmie Silverdale of the Daily Wire scoops the Fleet Street competition about a recent sensational murder:

Beautiful Widow of Millionaire Mysteriously Murdered in Taxi.
Woman in Black.
Secret Meeting with Veiled Lady at Islington.

Not only does Jimmie get the scoop, but after some major research he also finds, well in advance of the police, the seemingly inconsequential factoids which will, when correctly conjoined, lead straight to the murderer . . .

Major characters:
~ Greenford:
 "Taxi-driver picked a lady up in Bond Street an hour ago. Instructed to drive to the Palatial Hotel. Commissionaire who opened the cab door there found a woman dead — shot."
~ The burly man:
 "It's no suicide. I've been talking to Chinnery, who's handling the case. There's no pistol, for one thing. She'd only been shot a few minutes before she reached the Palatial—point twenty-two bullet. Taxi-driver hadn't stopped since he picked her up. It's a puzzle how it was done."
~ Mrs. Westmeon:
 "I never killed her. I never! I never! I can prove I had nothing to do with it."
~ D. I. Chinnery:
 "Chinnery looked at the calm young man who was taking it upon himself to issue orders to a divisional detective-inspector of the Criminal Investigation Department. Then he lifted his hat and scratched his head."
~ The Superintendent:
 "What I want to know is how Chinnery let you get ahead of him."

- George Dilnot co-authored several books with ex-Scotland Yard man Frank Froest (1858-1930), some without Dilnot's byline, so there seems to be uncertainty as to who wrote exactly what. A note at Hathi Trust seeks to clear it up: "The Grell Mystery, 1914, and The Maelstrom, 1916, were published under the name of Frank Froest as author ... 'George Dilnot is really the co-author of The Grell Mystery and The Maelstrom.' — Letter of publisher, Aug. 19, 1920." In other words, Froest contributed the police background while Dilnot supplied the writer's skills.
- More information about Dilnot is available (HERE), and about Froest (HERE) and (HERE).
- If you're not familiar with a rook rifle, see Wikipedia (HERE) for enlightenment.
- Dilnot is credited with the following crime fiction novels, all of which are online for the moment (his articles and short stories—and he wrote dozens of them—don't seem to have been collected yet):
 ~ The Grell Mystery (1913) (HERE).
 ~ Scotland Yard: The Methods and Organisation of the Metropolitan Police (1916) (HERE).
 ~ The Maelstrom (1916) (HERE and HERE).
 ~ Suspected (1920) (HERE). Amazon's product description:

  "Jimmie Silverdale, the top crime reporter on the Daily Wire, thought he was onto a real scoop with the murder of the industrialist Sir Harold Saxon. Until, that is, he discovered that the chief suspect is the woman that he has fallen in love with. Could it be possible that the woman who had nursed him back to health during the war was really a murderer? Silverdale finds that he must work hand in hand with one of Scotland Yard’s finest in order to prove the innocence of the woman he wants to marry."

- The Online Books Page has a Dilnot listing (HERE).
- The first of four pages devoted to Dilnot is at Amazon.com (HERE).
- At one point in the story the author tells us:

  "In present-day circumstances, a person with information to divulge is as likely to go to a newspaper office as a police-station. Yet, a newspaper man is sometimes a dangerous ally for a detective. His aim is essentially to tell what the police are doing to hunt down their quarry—matters on which the police do their best to keep quiet."

  Haia Shpayer-Makov has examined how the newspapers and the police interacted at about the same time as our story in this paper: "Journalists and Police Detectives in Victorian and Edwardian England — An Uneasy Reciprocal Relationship" (2009) (HERE) (HTML) (25 pages as a PDF):

   "Detectives are sometimes likened to historians and vice versa. On closer examination, the resemblance between detectives and journalists is no less noticeable. The latter likeness, specifically between police detectives and journalists who wrote for newspapers on crime and policing, was particularly striking during the Victorian and Edwardian periods. Interestingly, the two occupations were not only similar, but also evolved in parallel. More impor-tantly, in the process they developed links and interdependencies that helped them perform their respective duties. However, while contacts between them were mutually beneficial, they were also marked by tension and conflict. This duality of interdependence and conflict continued to characterise relations between journalists and detectives (and the police generally) after the First World War . . ."

  We've encountered Shpayer-Makov's scholarship before (HERE).

Sunday, August 13, 2017

"It Was a Femme, and She Sure Was Looking Fatale"

"Dead Wolf in a Hat."
By Graham Edwards (born 1965).
First appearance: Realms of Fantasy magazine, October 2005.
Reprinted in The Dragon Done It (2008).
Short story (13 pages as a PDF).
Online at Baen Books (HERE).
(Parental caution: Adult themes and language throughout.)

". . . even though I knew I should be calling the cops, I did the next best thing: I started looking through the Big Dictionary."
Ordinarily your average tough guy PI, like our unnamed narrator (can you say "Mike Hammer"), has enough trouble figuring out what's going on when he first takes on a
case, but in this instance it's going to be a lot harder sorting through what a bullet-
riddled lycanthrope, a dishy but dangerous dame, and a treacherous hat have to do
with one other—necessitating a nothing-short-of-terrifying consultation with the
Search Engine:

   "Soon I heard a rumbling sound, more metallic than the throat-clearing, twice as loud and getting louder all the time. The wind gusted, blasting into me from the same direction as the approaching smear of light. Then I heard a whistle, long and glutinous, and suddenly it was on me, an immense iron lobster with two hundred wheels, all interconnected with rods and dripping sinews and sprung cables and grinding cylinders. Brakes engaged and the mammoth train screeched to a halt. Steam erupted from a thousand greasy sphincters, oil oozed through toothsome grilles, chains with links as thick as my arm cracked like whips and flaming coals spilled from a great brazier perched high behind the funnel, half a mile above my head."

Toss in a gambling syndicate run by Titans (they expect you to pay up or else), and

our gumshoe will have all he can do to be around long enough to deliver his next
wisecrack . . .
- If all of Graham Edwards's fantasy fiction is this witty, he might be worth your time; see Wikipedia (HERE) and the ISFDb (HERE).
- Wikipedia has summary articles about lycanthropes (HERE) and (HERE), but our author

has added a clever twist of his own to the legend.
- Some refresher info about the Titans can be found on Wikipedia (HERE) and (HERE).

- We highlighted another fantasyland private eye last year (HERE).

Thursday, August 10, 2017

"Without a Doubt This Was the Sacrilegious Thief"

"Parson and Policeman."
By Victor L. Whitechurch (1868-1933).
First appearance: The Windsor Magazine,  March 1930.
Short short story (9 pages, 3 illos).
Online at Hathi Trust (HERE).

"I almost feel like a detective myself."
If we disregard Father Brown, Rabbi Small, and 358 others of their profession, then it would probably be true to say that men of the cloth like the Vicar of the little village of East Camford seldom get a chance in their everyday lives to capture someone wanted by the police—but, as events will show, here we have a parson who could definitely benefit from some divine inspiration . . .

. . . and so could the author.

- Philip Grosset's Clerical Detectives website does a fine job of keeping up with the rather large field of clergy-sleuths (HERE).

- We tend to associate Victor L. Whitechurch with railway mysteries, and for good reason; see the GAD Wiki (HERE) and one of our posts from about a year ago (HERE).

The bottom line: "I've been a Danish prince, a Texas slave-dealer, an Arab sheik, a Cheyenne Dog Soldier, and a Yankee navy lieutenant in my time, among other things, and none of 'em was as hard to sustain as my lifetime's impersonation of a British officer and gentleman."

Tuesday, August 8, 2017

"So Yer Wouldn't Come Across with Two Hundred Grand, Wouldn't Yer?"

ALTHOUGH HE'S BEEN DEAD for seventy years, the name of William Moulton Marston, the Harvard University psychologist who co-developed the modern "lie detector," resurfaces now and then in association with his most famous fictional creation, this year especially after the release of a highly successful motion picture. The story that follows, which doesn't feature his celebrated character, is an interactive writer-reader experiment that proves Marston was much better at psychology than detective fiction—and, yes, there will be a test later.

"Kidnapers' Contact."
By William Moulton Marston (1893-1947).
First appearance: Liberty, January 19, 1935.
Short short story (7 pages).
Online at Archive.org (start HERE and finish HERE).

"At Last a NEW Kind of Detective Story — One in Which the Reader Is Really the Detective! Follow the Directions and Try Your Sleuthing Talent on This Baffling Tale of a Black-Bordered Envelope and an Artist's Eye."
 A gang of kidnapers that couldn't crook straight should've known that if you're going to put the bag on somebody, you should at least snatch the right somebody . . .

- William Moulton Marston (Wikipedia HERE) is most remembered these days for creating the comic book character of Wonder Woman (HERE); People.com (HERE) has more background on Marston—and it is, as the article says, "kinky."

- It's ironic that, of his forty-two IMDb credits (HERE), all but two are posthumous.

The bottom line: "The longer I observe the way people really act, the happier I am that I never pay attention to them."
George Alec Effinger

Monday, August 7, 2017

"He Didn't Think of Himself As a Murderer"

"Thompson's Time-Traveling Theory."
By Sgt. Mort Weisinger (1915-78).
First appearance: Fantasy Magazine, January 1937.
Reprinted in Amazing Stories, March 1944.
Short short story (6 pages).
Online at Comic Book Plus (HERE; select page 118).

"All time-traveling stories are one hundred percent sheer oil of over-ripe bananas!"
Our understanding of the past can't help but be fragmentary, at best, so if you just happen to have a working temporal transporter and travel back in time with the intention of changing yesteryear by committing a crime, then you'd do well to remember what happens to the science fiction author in our story. If only he'd listened to his unwitting editor: "Lay off traveling into the past!"
Typo: "not util I've completed"

- By the time our story was reprinted, World War II was in full swing and Mort Weisinger was a noncom in the Army (drawing a cushy assignment with Special Services); you have him to thank for Aquaman, Green Arrow, '50s TV's Superman, and, as an indirect influence, Perry Mason and Columbo; there's more about him and his career (HERE), (HERE), and (HERE).

- We've already stumbled across a few stories that mash time travel and crime together: (HERE), (HERE), (HERE), (HERE), (HERE), (HERE), and (HERE, second story).

Sunday, August 6, 2017

"Take Them Down, Burn Them!"

"The Poisoned Tapestries."
By Elizabeth W. Champney (1850-1922).
First appearance: Munsey's Magazine, September 1894.
Short short story (7 pages).
Online at UNZ (HERE).

It could be the perfect murder—death by remote control—with the killer a thousand miles away when the victim painfully draws his last breath. That's how it's supposed to go, any-how, but life has this knack of getting in the way . . .
- In her day Elizabeth (Lizzie) Champney's novel series were quite popular, especially with young children and girls, but she also wrote for adults; see Wikipedia (HERE), the ISFDb (HERE), and the Online Books Page (HERE); info about Cardinal Borromeo, around whom

our plot persistently revolves, is (HERE). FictionMags credits her with several dozen shorter pieces running from the 1870s to the early 1900s.

The bottom line: "Jealousy is a disease, love is a healthy condition. The immature mind often mistakes one for the other, or assumes that the greater the love, the greater the jealousy — in fact, they are almost incompatible; one emotion hardly leaves room for the other."

Saturday, August 5, 2017

Two by Will Jenkins

"It would be silly to go around pushing people off cliffs!"

"High Justice."
(a.k.a. "Shelter Hut").
By Will F. Jenkins (1896-1975).
First appearance: Collier's, June 3, 1939.
Short short short story (3 pages).
Online at UNZ (HERE).
(Note: Accompanying illo quite unclear; use "Ctrl+" for legibility.)

"Down below, there was still a tiny patch of storm-frayed cloth, with perhaps a white bone or two showing through."
The biggest problem with the perfect murder lies with—really within—the perfect murderer; no matter how much he tries to push it aside, guilt can bubble up unbidden from nowhere, even on a freezing night atop a mountain precipice with a sheer drop of a thousand feet just inches away. — "It is bad," says Kettermann, "when a chentleman uses the mountains to kill another chentleman. It is murder . . ."

~ ~ ~

"If the cops know you like I do, they won't bother trying to catch you. All they'll have to do is wait for you to clamor for their attention."

By Will F. Jenkins (1896-1975)
First appearance: Collier's, March 16, 1956.
Reprinted in Bestseller Mystery Magazine, September 1958

and Mike Shayne Mystery Magazine, April 1965.
Short short short story (4 pages).
Online at UNZ (HERE).

"Timmy thought he was staging the perfect getaway. He didn't know he had to outsmart a machine that could anticipate any move he'd make."
A reticent state trooper acknowledges the universal constant about blood being thicker than water: "We got to allow for things like that. People hate to turn in brothers and sisters and such. It's human." For Callahan and his wife Jeanne, though, the man they both fear, her brother, acts like he isn't human at all—bragging, blustering, posturing, lying, stealing, threatening, and completely unconcerned when it comes to murder. This dark night could end disastrously for Callahan, Jeanne, and their two kids unless he can come up with some kind of plan, a plan that can exploit the killer's mentality and use it against him . . .


- If you've read much science fiction then you'd already know that Will F. Jenkins often went by the alias Murray Leinster (HERE); according to FictionMags, Jenkins/Leinster consistently produced stories from 1916 to 1967.